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In
einer Art künstlerischen Bermuda-Dreieck aus
post-punkigen Visionen, fast nur zu erahnenden Sehnsüchten
und einer kraftvollen Hommage an den weiblichen Körper,
siedelt sich das photographischen Schaffen des Martin R.
Class an. Die aus diesen Fixpunkten resultierende
bildhafte Spannung verleiht seinen Photographien einen
ästhetischen Reiz, der weit über den normalen
erotischen Akt hinausgeht. Ein wichtiger Schlüssel zum
Verständnis seiner Arbeiten, liegt aber auch in der
Tatsache begründet, daß sein bevorzugtes Modell seine
eigene Frau ist. Die sich daraus logischerweise
ergebende intensive physische und psychische Kenntnis,
gepaart mit einem vollständigen Vertrauen in den
Anderen ermöglicht Martin R. Class jene intime Atmosphäre
entstehen zu lassen, die für erotische Kunst so unerläßlich
ist.
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Martin
Raphel Class, Marty to his friends, began his creative
experience in photography and has concentrated on the
human form. During the working day, he's a mild-mannered
car mechanic just trying to make a living but on his own
time, the camera, the studio and the lab consume his
life. He has it all arranged so that they're all close
at hand. His attic is his studio; his basement holds his
laboratory and he squeezes the rest of his life in
between. His wife is often his model and he spend his
free time learning how to design web pages so that he
can exhibit his pictures to a broader audience.
"it
has made me produce more work although i would apreciate
more feedback about what people think"
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These
shots are not "pretty pictures." They make me
look repeatedly and deeply, redrawing the body lines in
my mind, filling the shadows in my imagination."i
traded a radar detecter for a camera about ten years ago
and from then on ive been interested in art – ive been
interested in the human figure from the beginning."Drap
her contours in deep shadows, dress her in the luxury of
her darkness."(my
wife) has been very patient with me she has been
posing for me since i started taking photos"He
focused in on her bent knee until the world blurred into
silence."everytime
i look at a person im usually thinking of them as a
subject so photography and light and composition are
always on my mind"Perspective
was a liar when accompanied by her lines."i
prefer not to title my pictures i think it takes away
from the image and you think more of the title and how
it coincides w/the image i would rather you just look at
the image for what it is and come to your own
conclusions"
I
could never write about how the shadow cupped her breast."i
have my images all around me so that i can study them so
that i learn from each one"
His
work has been shown at the following:
- Individual
Show, 1995 at Dayton (Ohio) Visual Arts
- Individual
Show, 1994 in Yellow Springs, Ohio
- Best
of Show at the Student Art Show at Sinclair
Community College
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